GAETANO GRILLO

Gaetano Grillo was born in Molfetta in 1952. He starts painting as a child, when he lives in Puglia countryside, taking part to the farming activities of his family. He studies at Istituto Statale d'Arte in Bari and, since 1971,
at the Brera Academy (Milan), where he enrolls in Alik Cavaliere's sculpture school, where he experiences new artistic languages; he is interested in the conceptual theories and in Land Art. Very soon he feels the urge to come back to painting, what he does with the exhibition Lectio Historiae, at La Bussola Gallery in Bari; through these paintings, like large collages, he affirms the possible coexistence of different identities, a theme that will last
for always. In 1976 The solo exhibition Sono felice quando dipingo (I'm happy when I'm painting) at Galleria Solferino is a declaration of poetics and a decisive choice too.
In 1979 he begins a long teaching career at Milan's Liceo Artistico and two years later he represents Italy at Medelline Biennial (Colombia), invited by L. Carluccio.
In 1985 the Stazione Centrale group is born (Grillo, Arcangelo, Francesco Bonami, Marco Nereo Rotelli
e Natà), at Enzo Cannaviello's gallery. At the solo exhibition in Palazzo Diocleziano (Split, 1989), a paper wall two meters high and twelve long, made of five hundred painted (some containing different national flags) puts multiculturalism in the center of his vision. Next year,
the town of Molfetta devotes to Grillo a big exhibition, whose catalogue contains G. Dorfles' texts. He also starts teaching at Florence Art Academy.
At the begin of the nineties he paints the palinsesti, horizontal works where icons, signs and letters lay down, loosing their original meaning and starting a new semantic narration. At the same time Grillo is most attracted
to Egypt, developing an encrypted alphabet containing letters collected from any time and culture. In the middle
of the decade he founds, in Molfetta, the Associazione Culturale Mediterranea onlus, in order to develop artistic communication between Mediterranean countries, shifting the focus from the european capitals to the emerging southern countries. The association promotes
the exhibition Radio Tirana Fax, developing an exploring relationship with Albania which, after some exhibitions
and many new friends, will lead to the 1° Biennale Mediterranea in Tirana (1998). The exhibition will be repeated three years later in Dubrovnik and, in 2001,
in Cetinje, the ancient capital of Montenegro. At the National Art Museum in Podgorizza and, at a later stage,
at Bar's Royal Palace, in 2004, Grillo mounts a solo exhibition entitled Io sono un pittore mediterraneo / ja sam jedan mediteranski slikar (I'm a mediteranean painter).
Of the same years are the exhibitions Icone (Milano, Bianca Pilat, 1997: on which occasion the video Contaminations has been produced), Spirito Mediterraneo (Milano, Galleria il Milione, 1999), Fusion (Parigi, Carousel du Louvre, 2000), Territorio Gaetano Grillo (Molfetta, 2002), Egyptomania (Accademia d'Egitto, Roma, 2005), Papiri contemporanei (Torino, Palazzo Briccherasio, 2006) e Mediterranea-mente (Bari, Sala Murat, 2007, on which occasion this video has been produced). As a happy ending of his teaching period at the Accademia Albertina
in Turin, he promotes
and curates an exhibition of his best students
at the Roberto Allegretti Gallery, named Viva-io.
At the same time he founds and directs Academy of Fine Arts, a quarterly magazine distributed among italian Art Academies. During a journey to Côte d'Azur, where Picasso created his many ceramic works, in 2010
he rediscovers a passion for this language and starts producing objects belonging to the product line Mediterranea-mente. He produces several hundred pieces, exhibited at Antibes' Boat Show. Next year he starts working at a big project: publishing alfabeto grillico, shaping in clay the letters of his own alphabet,
on the basis of the ancient clay tablets written in cuneiform script and discovered in the archeological dig of Ugarrit (Syria). 2011 brings the solo exhibitions at Corfù's Old Fortress, named Mediterraneo, way of life (then
in Molfetta). He participates in the Biennale di Venezia
in the section Puglia (S. Scolastica, Bari) and showcases
a large installation at the former church of S. Carpoforo,
in Milan, within the exhibition Un’altra storia. 2012 exhibitions are: Dialoghi nella città dei fiori, at Sanremo Town Museum, G&G (Centro Formentini, Brera, Milan), Color-Med unveiling Marianne Wild's new gallery in Chieti and Colore, al Desenzano Castle. Meanwhile, Academy
of Fine Arts sgets a new online version and, in novembre, the new magazine www.academy-of.eu is born.
Gaetano Grillo lives and works in Milan and Arena Po, where, collaborating with the Mayor, he puts on art exhibitions and permanent open air installations of works by italian contemporary artists.

WEBSITE: http://gaetanogrillo.com

The alphabet by Gaetano Grillo dialogues with a work by Markus Lupertz (2018)
gr. mag., Milan (I) 

A project by an entrepreneur and art collector, Giorgio Teresio Galante, thought as a dialogue between an artist
and a work from his own collection; the exhibition is displayed in an active industrial space.

CREDITI
Directors: Lorenzo Baldi, Liliana Carugati
Photography: Lorenzo Baldi, Liliana Carugati
Camera: Lorenzo Baldi, Liliana Carugati
Dji Ronin-M: Liliana Carugati
Editing: Lorenzo Baldi
Music: Sonoton
Filmed: 2015

TECHNICALITIES
Production standard: UHD 25p (painter interview rec.), HD 25p
Camera: Sony NEX-FS100, Panasonic GH4
Lenses: Panasonic 14-140 f3.5-5.6, Sigma 18-35 mm f1.8, Tokina 11-16 mm f2.8, Nikkor 50 mm f1.8
Support: Vinten, ABC, Dji Ronin-M
Codec: .mov H264 100 Mbps, mov All-I 200 Mbps,
AVCHD 28 Mbs
Postproduction: Final Cut Pro X

Grillico (2015)
Parco scultura La Palomba, Matera (I)

The Alphabet, the artist’s life’s work, presented for the first time at the Sculpture Park founded by Antonio Paradiso in Matera.

CREDITI
Directors: Lorenzo Baldi, Liliana Carugati
Photography: Lorenzo Baldi, Liliana Carugati
Camera: Lorenzo Baldi, Liliana Carugati
Dji Ronin-M: Liliana Carugati
Editing: Lorenzo Baldi
Music: Sonoton
Filmed: 2015

TECHNICALITIES
Production standard: UHD 25p (painter interview rec.), HD 25p
Camera: Sony NEX-FS100, Panasonic GH4
Lenses: Panasonic 14-140 f3.5-5.6, Sigma 18-35 mm f1.8, Tokina 11-16 mm f2.8, Nikkor 50 mm f1.8
Support: Vinten, ABC, Dji Ronin-M
Codec: .mov H264 100 Mbps, mov All-I 200 Mbps,
AVCHD 28 Mbs
Postproduction: Final Cut Pro X

Racconto autobiografico (2007)
Studio di G. Grillo, Milan (I)

The artist narrates the evolution of his work and his relationship with painting.

CREDITI
Directors: Lorenzo Baldi, Liliana Carugati
Photography: Lorenzo Baldi, Liliana Carugati
Camera: Lorenzo Baldi
Editing: Lorenzo Baldi
Music: Sonoton
Filmed: 2007

TECHNICALITIES
Production standard: HDV 1080i
Camera: Sony HVR-Z1E
Support: Vinten
Codec: HDV
Postproduction: Final Cut Pro 7

Contaminazioni (1997)

An animated edit of photographic images of the artist’s works of the nineties, about mediterranean languages.

CREDITI
Director: Gaetano Grillo
Acquisition: Lorenzo Baldi
Editing: Lorenzo Baldi
Music: Ale Guzzetti
Edited: 1997

TECHNICALITIES
Production Standard: SD PAL
Camera: Sony DXC-D30
Recording: Betacam SP
Postproduction: Avid Media Composer
Remastered through noise reduction and removing other recording issues, normalized audio.

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